Movies
Language: English
VIFF: I Like Movies
Lawrence (Isaiah Lehtinen), a teenage cinephile, is convinced that he’s destined for bigger things than Burlington, Ontario can offer. Obsessed with Paul Thomas Anderson and Todd Solondz, he’s intent on attending film school at NYU before unleashing his directorial vision on an unsuspecting world. This despite the fact his artistic
VIFF: Blaze
In the wake of witnessing a brutal assault, 12-year-old Blaze (Julia Savage) takes shelter in an imaginary world. Inspired by the posters and trinkets in her bedroom, this glittery, candy-coloured realm is also home to Zephyr, a papier-mâché dragon who consoles and counsels Blaze as she learns to overcome her
VIFF: Call Jane
A privileged housewife in 1968 Chicago finds herself at odds with the patriarchal medical establishment when she requires a life-saving termination of pregnancy. Joy (Elizabeth Banks, in a charming and nuanced performance) encounters an underground organization called Jane Collective that provides safe abortions to women, and eventually becomes an integral
VIFF: Leonor Will Never Die
Once a prominent action filmmaker, Leonor spends her senior years with the ghost of her dead son and the pestering, very alive presence of her younger son. In her cramped apartment, she distracts herself from overdue electricity bills by daydreaming about her movies, until a freak accident causes her to
VIFF: Framing Agnes
Exhuming transcripts from a 1950s UCLA study on transgender individuals, Chase Joynt and his cast employ re-enactments, reinvention, and personal reflections to examine the trans stories that are told and how—and by whom—they are authored. Every bit as conceptually daring as VIFF 2020’s No Ordinary Man (which Joynt co-directed), Framing Agnes sees the director
VIFF: Brother
Clement Virgo (The Book of Negroes) makes a brilliant return to feature filmmaking with this propulsive adaptation of David Chariandy’s celebrated novel. Set against the backdrop of suburban Scarborough, Brother follows siblings Michael (Lamar Johnson) and Francis (Aaron Pierre) as they strive to justify the sacrifices of their devoting mother (Marsha Stephanie
VIFF: Riotsville, U.S.A.
Consisting entirely of government and TV news footage from the 1960s (with essayistic commentary and brief on-screen contextual notes), Sierra Pettengill’s transfixing nonfiction film harks back nostalgically to a period of widespread civil unrest in the United States, when Los Angeles, Detroit, Chicago, and dozens more inner cities went up
VIFF: Something in the Dirt
Determined to escape perpetually post-apocalyptic Los Angeles, Levi (Justin Benson) instead falls in with John (Aaron Moorhead), a kindred conspiracy theorist. After witnessing an inexplicable event in Levi’s apartment, the neighbours become intent on monetizing the paranormal activity by shooting a Netflix-style docuseries. Convincing themselves that they’re piecing together a
VIFF: Riceboy Sleeps
Raising her young son Dong-hyun (Dohyun Noel Hwang) in Vancouver’s suburbs in the 90s, So-young (Choi Seung-yoon), a South Korean immigrant and single mom, desperately wants to instill a sense of pride in the boy. In turn, he only wants to be considered “Canadian” in hopes of avoiding bullying at
VIFF: Nanny
Aisha (Anna Diop), an undocumented Senegalese immigrant, is hired as a nanny by an affluent, self-absorbed Manhattan couple (Michelle Monaghan and Morgan Spector). Recognizing that this may be her best opportunity to bring her son to America, this stranger in a strange land is willing to deflect the upper crust’s