It’s “Bambi meets Apocalypse Now” in this provocative and strangely beautiful horror comedy from acclaimed filmmaker and illustrator Alberto Vazquez (BIRDBOY: THE FORGOTTEN CHILDREN), who uses its outrageous candy-colored premise to explore religious zealotry, the tortured legacies of military fascism, and the depths of the soul. A favourite among
Leo and Remi are two thirteen-year-old best friends, whose seemingly unbreakable bond is suddenly, tragically torn apart. Struggling to understand what has happened, Léo approaches Sophie, Rémi’s mother. Winner of the Grand Jury Prize at the Cannes Film Festival and currently nominated for a
February marks Black History Month, and the Rio Theatre is honouring that with a double bill screening on February 1. We will be featuring two significant titles, including a 4K restoration of Senegalese director Ousmane Sembène‘s landmark 1966 BLACK GIRL (aka, “La noire de...”, it currently sits at #97 in
In acclaimed Swedish filmmaker Ruben Östlund‘s (FORCE MAJEURE, THE SQUARE) wickedly funny Palme d’Or winner TRIANGLE OF SADNESS (now nominated Oscars, including Best Picture, Best Original Screenplay, and Best Director), social hierarchy is turned upside down, revealing the tawdry relationship between power and beauty. Celebrity model couple, Carl (Harris Dickinson)
Female journalist Rahimi (Zar Amir Ebrahimi) travels to the Iranian holy city of Mashhad to investigate a serial killer who believes he is doing the work of God, cleansing the streets of sinners by murdering sex workers. As the body count mounts and Rahimi draws closer to exposing his crimes,
Screened at festivals around the world, the writer-director team of Kristina Buožytė and Bruno Samper‘s eco-dystopic, sci-fi coming-of-age drama VESPER is coming to the Rio’s screen on Saturday, November 26. Its inclusion is a nice “full circle” moment, as Buožytė‘s remarkable 2012 work of romantic sci-fi, VANISHING WAVES, screened at the
A young American journalist (Margaret Qualley) stranded in present-day Nicaragua falls for an enigmatic Englishman (Joe Alwyn) who seems like her best chance of escape. She soon realizes, though, that he may be in even greater danger than she is. Adapted from Denis Johnson’s novel. “Updating Denis Johnson’s Nicaragua-set novel
Italian horror icon Dario Argento (SUSPIRIA, DEEP RED, INFERNO) returns to the big screen with DARK GLASSES, his first directorial effort in over a decade. Rome. A serial killer has killed three prostitutes, strangling them with cello ropes. The last rope of the “Cellist” is destined for Diana, a luxury
When we meet Julia (Julie Ledru), this feral loner demonstrates her predatory nature by conning a hapless seller out of his motorcycle. But when she crashes a local “rodeo”—a high-octane, higher testosterone underground motocross circuit where brash bikers one-up one another—it’s apparent that she’ll need to raise her game all
In the wake of a viscera-spilling battle with a menacing foam-rubber turtle, the superheroic, hard-smoking members of Tobacco Force are ordered to undergo a week of team-building at a remote bunker. In lieu of trading punches with arch-nemeses, they exchange outrageous campfire stories about others’ misfortunes, each of which demonstrates