VIFF 2024: Methods to Madness with Longlegs’ Osgood Perkins
Even before its release, Osgood Perkins’ Longlegs had become the stuff of legend, anointed by tastemakers as “nightmare fuel” of the highest order. And by the time the public had their fill, Longlegs was not only the most successful release in NEON’s history, but also the most successful independent film of 2024.
In this lively VIFF Talk, Perkins shares his methods for depicting madness and delves into the dark secrets of Longlegs’ success. Expect some welcome candour as he discusses borrowing liberally from his influences to create familiar narrative constructs, while also retaining enough freedom to explore the themes that fascinate him as storyteller. This deep dive will illustrate his creative process of amassing narrative connections, establishing thematic underpinnings, and assembling a group of collaborators who can make it all a nightmarish reality.
Saturday, September 28
6:00 pm
Advance tickets HERE
For detailed Vancouver International Film Fest information, including current showtimes and advance ticketing, please re-direct to www.viff.org.
All ticketing for VIFF events are managed by VIFF. If you have any questions about ticketing and availability, please connect with them directly. Please do not contact the Rio Theatre for ticketing info.
Unless otherwise noted, all VIFF screenings and events at the Rio Theatre are 19+ only. Please have valid ID with you upon entry.
VIFF screenings at the Rio Theatre tend to be busy! All seating is General Admission. We encourage all patrons to purchase tickets in advance to ensure entry, and to please come early (20-30 mins at least) to get great seats and have time for treats at our concession.
Please note: Rio Theatre Groupons and passes are n/a for any VIFF screening.
VIFF thanks the xʷməθkʷəy̓əm (Musqueam), Sḵwx̱wú7mesh (Squamish), and səlilwətaɬ/Selilwitulh (Tsleil-Waututh) Nations for their continued stewardship of the unceded and occupied land on which our work takes place. As an organization founded and predominantly directed by settlers and immigrants, we understand our responsibility to seek out and build authentic relationships with Indigenous communities, and to allow this ongoing dialogue to influence our practices. As part of this process, we remain committed to collaborating with and supporting Indigenous artists, filmmakers, curators, and audiences.