Edward (Sebastian Stan) is a facially disfigured man who leads a life of self-consciousness and awkward social encounters. His new neighbour Ingrid (Renate Reinsve) is an aspiring playwright, and for a moment it looks like he might have a chance at romance with her; alas, she rejects him. Soon after, Edward begins an experimental drug therapy that cures his affliction and allows him to assume a new identity. Years later, he discovers that Ingrid has written a play based on the two of them and decides to audition incognito. However, his bids at self-assurance are undermined by an extroverted stranger (Adam Pearson) who is exceedingly comfortable in his own skin.
Aaron Schimberg’s wicked satire dares to provoke responses as varied as anxiety, compassion, and amusement, often in combination rather than easy separation. Besides its finely calibrated plotting, evocative performances, and haunting imagery, A Different Man is distinguished by its resistance to easy classification: it embraces the ironies of comedy and the derangements of horror, but when all is said and done it stands defiantly alone.
Silver Bear for Best Leading Performance, Berlin 2024
Thursday, September 26
6:15 pm
Advance tickets HERE
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VIFF thanks the xʷməθkʷəy̓əm (Musqueam), Sḵwx̱wú7mesh (Squamish), and səlilwətaɬ/Selilwitulh (Tsleil-Waututh) Nations for their continued stewardship of the unceded and occupied land on which our work takes place. As an organization founded and predominantly directed by settlers and immigrants, we understand our responsibility to seek out and build authentic relationships with Indigenous communities, and to allow this ongoing dialogue to influence our practices. As part of this process, we remain committed to collaborating with and supporting Indigenous artists, filmmakers, curators, and audiences.