The notorious final film from Pier Paolo Pasolini, SALÓ, OR THE 120 DAYS OF SODOM has been called nauseating, shocking, depraved, pornographic . . . It’s also a masterpiece. The controversial poet, novelist, and filmmaker’s transposition of the Marquis de Sade’s eighteenth-century opus of torture and degradation to Fascist Italy in 1944 remains one of the most passionately debated films of all time, a thought-provoking inquiry into the political, social, and sexual dynamics that define the world we live in.
SALÓ, OR THE 120 DAYS OF SODOM “Salò o le 120 giornate di Sodoma” (Pier Paolo Pasolini, 1975 / 117 / In Italian with English subtitles) In World War II Italy, four fascist libertines round up nine adolescent boys and girls and subject them to 120 days of physical, mental, and sexual torture.