Movies
VIFF: Call Jane
A privileged housewife in 1968 Chicago finds herself at odds with the patriarchal medical establishment when she requires a life-saving termination of pregnancy. Joy (Elizabeth Banks, in a charming and nuanced performance) encounters an underground organization called Jane Collective that provides safe abortions to women, and eventually becomes an integral
VIFF: Leonor Will Never Die
Once a prominent action filmmaker, Leonor spends her senior years with the ghost of her dead son and the pestering, very alive presence of her younger son. In her cramped apartment, she distracts herself from overdue electricity bills by daydreaming about her movies, until a freak accident causes her to
VIFF: Piaffe
In modern-day Berlin, Eva, a timid foley artist, moves around the world with both curiosity and caution. If quiet enough, she can be invisible to others, allowing her to explore parts of humanity most of us could never imagine. Her latest project, creating sound effects for a medication commercial starring
VIFF: Huesera
A riveting, genre-bending feature debut following a soon-to-be mother, Valeria, as she starts experiencing odd visions and sensations that alert her to a supernatural presence lurking around the corner. As her paranoia grows, she encounters increasing resistance from her partner and immediate family, with old wounds slowly resurfacing and further
VIFF: Nightsiren
Canadian Premiere Tereza Nvotová follows up her critically acclaimed feature debut, Filthy, with this lush, atmospheric genre piece that masterfully mines regional superstitions and witch lore as she continues to interrogate female trauma and toxic patriarchal structures at the heart of destructive social dynamics. The film centers on Šarlota, a young
VIFF: Framing Agnes
Exhuming transcripts from a 1950s UCLA study on transgender individuals, Chase Joynt and his cast employ re-enactments, reinvention, and personal reflections to examine the trans stories that are told and how—and by whom—they are authored. Every bit as conceptually daring as VIFF 2020’s No Ordinary Man (which Joynt co-directed), Framing Agnes sees the director
VIFF: Brother
Clement Virgo (The Book of Negroes) makes a brilliant return to feature filmmaking with this propulsive adaptation of David Chariandy’s celebrated novel. Set against the backdrop of suburban Scarborough, Brother follows siblings Michael (Lamar Johnson) and Francis (Aaron Pierre) as they strive to justify the sacrifices of their devoting mother (Marsha Stephanie
VIFF: Riotsville, U.S.A.
Consisting entirely of government and TV news footage from the 1960s (with essayistic commentary and brief on-screen contextual notes), Sierra Pettengill’s transfixing nonfiction film harks back nostalgically to a period of widespread civil unrest in the United States, when Los Angeles, Detroit, Chicago, and dozens more inner cities went up
VIFF: What We Do Next
Canadian Premiere Councilwoman Sandy James (Karen Pittman) aspires to a more compassionate New York. But when a woman from her past, Elsa (Michelle Veintimilla), is released from prison, Sandy worries her detractors will uncover her involvement in Elsa’s crime. Sixteen years ago, Sandy and her then-fling, corporate lawyer Paul (Corey
VIFF: Something in the Dirt
Determined to escape perpetually post-apocalyptic Los Angeles, Levi (Justin Benson) instead falls in with John (Aaron Moorhead), a kindred conspiracy theorist. After witnessing an inexplicable event in Levi’s apartment, the neighbours become intent on monetizing the paranormal activity by shooting a Netflix-style docuseries. Convincing themselves that they’re piecing together a