From Academy Award-winning filmmaker Peter Jackson (THE LORD OF THE RINGS Trilogy, THE HOBBIT Trilogy) comes the groundbreaking documentary THEY SHALL NOT GROWN OLD. Applying state-of-the-art restoration, colorization and 3D technologies to century-old footage—carefully chosen from hundreds of hours of original Great War film held in the archives of the
Canadian filmmaker Danishka Esterhazy’s (BLACK FIELD, H&G) dystopian, feminist sci-fi fantasy LEVEL 16 has been blowing up genre fests around the world – and returns to the Rio Theatre for its theatrical premiere in March, just in time for Women’s History Month. The film follows
Composed of intimate and unencumbered moments of people in a community, HALE COUNTY THIS MORNING, THIS EVENING (currently nominated for a Best Documentary Academy Award) allows the viewer an emotive impression of the Historic South – trumpeting the beauty of life and consequences of the social construction of race, while
Winner of the Grand Jury Prize at the Cannes Film Festival and currently nominated for an Academy Award (Best Foreign Language Film), Lebanese writer-director Nadine Labaki‘s kinetic, timely, captivating drama CAPERNAUM (“Chaos”) tells the story of Zain (Zain al Rafeea), a Lebanese boy who sues his parents for the “crime”
Director Barry Jenkins’ (MOONLIGHT) striking visual and narrative style is on full display in his latest work, IF BEALE STREET COULD TALK, an adaptation of American author James Baldwin‘s timeless and moving novel of the same name. Set in 1970’s Harlem, this love story of both a couple’s unbreakable bond
Director Barry Jenkins‘ (MOONLIGHT) striking visual and narrative style is on full display in his latest work, If Beale Street Could Talk, an adaptation of acclaimed American author James Baldwin‘s timeless and moving novel of the same name. Set in 1970’s Harlem, this love story of both a
“My only love sprung from my only hate.” Join us at the Rio Theatre on Thursday, February 9, for a Valentine’s Day-ish double feature inspired by one of our favourite filmmakers, Baz Luhrmann. We’re getting in the mood for love with a romantical pairing of fan-faves including ROMEO
Director Hal Ashby‘s sublime romantic black comedy stars a young Bud Cort as Harold, the son of a wealthy wealthy, neglectful woman. Disillusioned with life and obsessed with death to a morbid degree, he tries to gain attention for himself with various hilariously staged “suicides.” At a funeral, he meets
“When one woman strikes at the heart of another she seldom misses, and the wound is invariably fatal.” Based on French author Choderlos de Laclos’ scandalous 1782 novel “Les Liasons Dangeureuses,” Stephen Frears’ sumptuously stylish DANGEROUS LIAISONS (not to be confused with Milos Forman‘s VALMONT) is a ribald
“I’ve done the vilest things – the foulest things – but I’ve done them… superbly.” A love triangle inspired by the two of the Twentieth Century’s most notable literary figures is explored in Philip Kaufman‘s (THE UNBEARABLE LIGHTNESS OF BEING) highly erotic cult-classic HENRY & JUNE, which was the