Canadian Premiere
Jim Jarmusch is a master of short form cinema, evidenced not only by the diner compendium Coffee and Cigarettes, but in his early films Down by Law, Mystery Train, and Night on Earth, each of which wrapped simple vignettes into a pungent narrative bouquet. So it seems fitting that the erstwhile Young Turk of the 1980s indie scene should return to this format in his 70s, reuniting with Down by Law–star Tom Waits, who plays a reclusive father visited by his grown children (Adam Driver and Mayim Bialik) in the first of three filially minded tales.
In the second episode, Cate Blanchette and Vicky Krieps play sisters visiting their novelist mother (Charlotte Rampling) in Dublin, while in the triptych’s final segment Indya Moore and Luka Sabbat play twins called back to their Paris apartment to address a family tragedy. Subtle and understated, wry and moving, Father Mother Sister Brother is Jarmusch at his best: minimalist with an unerring eye for the essence of things.
Friday, October 10
5:45 pm
Tickets HERE
For detailed Vancouver International Film Fest information, including current showtimes and advance ticketing, please re-direct to www.viff.org.
All ticketing for VIFF events are managed by VIFF. If you have any questions about ticketing and availability, please connect with them directly. Please do not contact the Rio Theatre for ticketing info or assistance.
Unless otherwise noted, all VIFF screenings and events at the Rio Theatre are 19+ only. Please have valid ID with you upon arrival.
VIFF screenings at the Rio Theatre tend to be busy! All seating is General Admission. We encourage all patrons to purchase tickets in advance to ensure entry, and to please come early (20-30 mins at least) to ensure time to locate great seats and purchase drinks and snacks at concession. The Rio Theate has a small lobby, and coming early helps prevent long lines and bottle-necking.
Please note: Rio Theatre Groupons and passes are n/a for any VIFF events.
VIFF thanks the xʷməθkʷəy̓əm (Musqueam), Sḵwx̱wú7mesh (Squamish), and səlilwətaɬ/Selilwitulh (Tsleil-Waututh) Nations for their continued stewardship of the unceded and occupied land on which our work takes place. As an organization founded and predominantly directed by settlers and immigrants, we understand our responsibility to seek out and build authentic relationships with Indigenous communities, and to allow this ongoing dialogue to influence our practices. As part of this process, we remain committed to collaborating with and supporting Indigenous artists, filmmakers, curators, and audiences.