Based on the Stephen King short story, and produced by James Wan (THE CONJURING, SAW), THE MONKEY is a new trip from LONGLEGS writer/director, Osgood Perkins. When twin brothers find a mysterious wind-up monkey, a series of outrageous deaths tear their family apart. Twenty-five years later, the monkey begins a
A cultural snapshot of turn-of-the-millennium Toronto with subtle comic energy and a great cast, Sook-Yin Lee’s adaptation of Chester Brown’s autobiographical 2011 graphic novel is a movie only Lee could make… because it’s her story, too. Chester Brown’s 2011 graphic novel told the story of his own journey into johnhood
National Canadian Film Day (#CanFilmDay) is a massive, coast-to-coast-to-coast salute to Canadian cinema. On Wednesday, April 16, theatres across the country will be opening their doors, dimming the lights, and firing up their projectors for totally free – yes, FREE – screenings of Canadian films. Stand up for Canadian filmmakers
“Just one man can make a difference.” The Rio Theatre‘s Friday Late Night Movie series continues on April 25 (aka ANZAC Day) with a screening of one of the biggest action movies from one of the biggest action franchises ever, Australian filmmaker George Miller‘s 1981 blockbuster MAD MAX
Fresh out of prison, Billy Skinner returns to his transformed low-income neighbourhood, now populated by Syrian refugees. Struggling to overcome his dark past, Billy forges an unexpected bond with Mo, a compassionate Syrian immigrant determined to build a better life for his family. With Jay Abdo, Lawrence Barry, Kate Corbett.
Andy Kaufman‘s provocative comedy often outraged audiences, challenging them to confront their own presumptions. Through never-before-seen footage and intimate recollections, filmmaker Alex Braverman explores Kaufman’s brief but impactful life and career. As the lines between performance and reality blur in our present age, Kaufman’s genius resonates more than ever. “Arguably
Like so many movie-lovers around the world, we were deeply saddened to learn of the passing of filmmaker David Lynch, whose contribution to arts and culture is immeasurable. His monumentally beloved catalogue is its own impressive, cinematic legacy rich with old friends and oddball characters who make regular visits upon
Director Robert Harmon‘s criminally overlooked film THE HITCHER is a violent thrill-ride featuring strong performances from Rutger Hauer and C. Thomas Howell in a tense, cat-and-mouse gem that, “did for hitch-hiking what JAWS did for ocean swimmers.” In other words, this newly restored slice of 80s-era “cinema obscura” is perfect
RESIDENT ORCA tells the unfolding story of a captive whale’s fight for survival and freedom. After decades of failed attempts to bring her home, an unlikely partnership between Indigenous matriarchs, a billionaire philanthropist, killer whale experts, and the aquarium’s new owner take on the impossible task of freeing Lolita, captured
New Zealand writer-director James Ashcroft‘s deliciously creepy THE RULE OF JENNY PEN is a psychological horror with dashes of demented satire that feeds off our collective fear of aging, in this very capable two-hander that offers pitch-perfect turns from John Lithgow and Geoffrey Rush. Rush stars as arrogant Judge