Why so serious? We’re kicking off 2020 with our annual New Year’s Day Hangover Movie Marathon! Is there a better way to ring in the New Year than in the dark with friends (or solo, no judgement!), some big screen classics, buttery popcorn and a little bit of
“Devil’s Night is upon us again.” The Rio Theatre‘s series of Halloween classics continues with a 30th Anniversary “Devil’s Night” screening of the stylish, soulful and ultimately haunting, supernaturally romantic revenge fantasy THE CROW – featuring a chilling turn from the late Brandon Lee – on Wednesday, October
The Rio Theatre‘s seasonal selection of creepy, Halloween-y picks this October includes Aussie director James Wan‘s (SAW, INSIDIOUS, MALIGNANT) 2013 haunted house hit THE CONJURING. Set in 1970, the film follows paranormal investigators and demonologists Lorraine (Vera Farmiga) and Ed (Patrick Wilson) Warren, who are summoned to the home of
The Rio Theatre is delighted to welcome Austin. Texas ensemble The Invincible Czars back to our stage for a double bill night featuring two classics from the silent era – THE PHANTOM OF THE OPERA and THE CABINET OF DR CALIGARI – accompanied with a live, original score. PHANTOM
In the dead of winter, Kat and Rose, two very different girls, find themselves spending winter break at their prestigious prep school. What they don’t know is that Kat is being stalked by an evil entity, and their lives are about to change forever. Meanwhile, Joan, a young, troubled woman,
The phone is dead. And it’s ringing. Director Scott Derrickson (the writer-director of SINISTER, THE EXORCISM OF EMILY ROSE, and Marvel’s DOCTOR STRANGE) returns to his terror roots with a new horror thriller, THE BLACK PHONE. Finney Shaw, a shy but clever 13-year-old boy, is abducted by a sadistic killer
The Rio Theatre is excited to head into our third annual cinematic celebration of Italian Heritage Month in Vancouver with a Friday Late Night Movie screening of horror maestro Dario Argento‘s debut feature (and first foray into the stylish genre known throughout the world as “giallo”), the landmark 1970 film,
Batman ventures into Gotham City’s underworld when a sadistic killer leaves behind a trail of cryptic clues. As the evidence begins to lead closer to home and the scale of the perpetrator’s plans become clear, he must forge new relationships, unmask the culprit and bring justice to the abuse of
Filmmaker Ana Lily Amirpour‘s sophomore effort takes a sharp detour from her breakthrough, self-described “Iranian Vampire Spaghetti Western,” A GIRL WALKS HOME ALONE AT NIGHT, with a highly-stylized love story with undertones of social commentary – set in a cannibal commune in a future dystopia, somewhere in the desert wasteland of
Join us at the Rio Theatre on Sunday, February 28 to recognize Women In Horror Month with a screening of Jennifer Kent’s critically acclaimed (not to mention terrifying) take on every parent’s worst nightmare, THE BABADOOK, proceeded by this year’s bloody brilliant crop of WiHM’s blood-drive public service announcements. For seven