Get ready to toast Austin, Texas filmmaker Richard Linklater on July 6 with back-to-back viewings of two 90’s-era classics from his canon that best exemplify the “wandering eye,” pre-mumblecore aesthetic for which he is best known. We’re firing up the projector for a double feature that includes both the 1991
Famed aesthetician Hope Goldman is about to take her career to the next level by launching her very own skincare line, but her personal and work lives are challenged when rival facialist Angel Vergara opens a new skincare boutique directly across from her store. She starts to suspect that someone
Fresh out of prison, Billy Skinner returns to his transformed low-income neighbourhood, now populated by Syrian refugees. Struggling to overcome his dark past, Billy forges an unexpected bond with Mo, a compassionate Syrian immigrant determined to build a better life for his family. With Jay Abdo, Lawrence Barry, Kate Corbett.
A father (Sergi López) and his son arrive at a rave deep in the mountains of southern Morocco. They are searching for Mar — daughter and sister — who vanished months ago at one of these endless, sleepless parties. Surrounded by electronic music and a raw, unfamiliar sense of freedom,
“I just happened to be nowhere near your neighborhood.” In the wake of Chris Cornell‘s untimely passing, everyone here at the Rio Theatre has been left reminiscing about the fabled, plaid flannel- coated soundtrack to the “Dream of the 90s,” and talking about what we (now) consider to be one
From director John Carney (ONCE, BEGIN AGAIN), SING STREET takes us back to 1980s Dublin seen through the eyes of a 14-year-old boy named Conor (Ferdia Walsh-Peelo) who is looking for a break from a home strained by his parents’ relationship and money troubles, while trying to adjust to his
Divine G (Colman Domingo, in a BAFTA and Golden Globe-nominated performance), imprisoned at the notorious Sing Sing facility for a crime he didn’t commit, finds purpose by acting in a theatre group alongside other incarcerated men, including a wary newcomer (Clarence Maclin, in a BAFTA-nominated performance). SING SING is a
SILENCE tells the story of two Christian missionaries (Andrew Garfield and Adam Driver) who face the ultimate test of faith when they travel to Japan in search of their missing mentor (Liam Neeson) at a time when Christianity was outlawed and their presence forbidden. The celebrated director’s 28-year journey to
Gary Oldman is spellbinding in his breakthrough performance as Sex Pistol Sid Vicious in Alex Cox‘s landmark look at one of the most notoriously dysfunctional (not to mention tragic) takes on one of rock ‘n roll’s most well known love stories, SID & NANCY. Borderline Shakespearean in its arc, the
Norwegian filmmaker Kristoffer Borgli‘s black comedy SICK OF MYSELF (“Syk pike”) was a hit at this year’s Cannes Film Festival, where it was nominated in the Un Certain Regard category, and has been making waves at film fests around the world ever since.