“We’ve met before, haven’t we?” Like so many movie-lovers around the world, we were deeply saddened to learn of the passing of filmmaker David Lynch, whose contribution to arts and culture is immeasurable. His monumentally beloved catalogue is its own impressive, cinematic legacy rich with old friends
Join us at the Rio Theatre for the third installment of a series presented in partnership with Antisocial AV Club, featuring a 20th anniversary screening of Catherine Hardwicke’s LORDS OF DOGTOWN. Before the movie, head on down to China Creek for an old school skate jam! Prizes
Writer-director Oz Perkins‘ LONGLEGS has easily emerged as “the” horror movie of 2024; in addition to thrilling audiences thanks to the filmmaker’s commitment to the genre and bravura performances from Maika Monore and Nicolas Cage, the Vancouver-shot film has become the highest grossing independent film of the year.
Fred Flarsky (Seth Rogen) is a gifted and free-spirited journalist with an affinity for trouble. Charlotte Field (Charlize Theron) is one of the most influential women in the world. Smart, sophisticated, and accomplished, she’s a powerhouse diplomat with a talent for… well, mostly everything. The two have nothing in
“It makes the new feel old again.” In LOGAN: NOIR, director James Mangold provides Hugh Jackman and his now iconic, 17-year long portrayal of superhero Wolverine a fitting swan song – in glorious black and white. Inspired by both the tone of Westerns of yore and the franchise’s own
On May 27th, Rio Theatre is tackling something weirdly special for the 13 year anniversary of THE ROOM! A full-length live script reading of actor/director/producer/screenwriter Tommy Wiseau’s very first draft of THE ROOM, with dialogue and plot events that’re very different from the polished version that wound up on-screen. Greg
American Institution. Cultural Phenomenon. Perfectly Absurd. 40 Years And Counting… ‘Saturday Night Live’ has been reflecting and influencing the American Story for 40 years. LIVE FROM NEW YORK! explores the show’s early years, an experiment from a young Lorne Michaels and his cast of unknowns, and follows its evolution into
“I find it poor logic to say that because women are good, women should vote. Men do not vote because they are good; they vote because they are male, and women should vote, not because we are angels and men are animals, but because we are human beings and citizens
“Feed me, Seymour. Feed me all night long.” Based on Alan Menken and Howard Ashman‘s 1982 off-Broadway musical, director Frank Oz‘s Little Shop of Horrors takes its own fleshy bite out of Roger Corman‘s original B-movie (1960’s The Little Shop of Horrors, which featured a very young Jack
LITTLE RICHARD: I AM EVERYTHING tells the story of the Black queer origins of rock n’ roll, exploding the whitewashed canon of American pop music to reveal the innovator — the originator — Richard Penniman. Through a wealth of archive and performance that brings us into Richard’s complicated inner world,