The Rio Theatre is proud to be one of the returning hosting venues for
The Vancouver International Film Festival
The festival runs Sept 27th – Oct 12th, 2018
For VIFF Full and most up to date schedule and info visit: viff.org
All tickets, passes and packs ON SALE NOW!
Tickets will be available at the box office of each venue once the festival is up and running or online through viff.org. For Rio events go to https://viff.org/Online/2018-venue-rio
Please note All Pre-Festival tickets are available in person sales start Sept. 13 at Vancity Theatre Box office, 1181 Seymour St. noon – 7pm.
No Groupons or Rio passes are accepted for VIFF screenings
VIFF General Inquiries to firstname.lastname@example.org
Box Office Helpline: 604.683.3456
Doors open half hour before doors
Direct Ticket link HERE
MAD | Music/Art/Design
A decade after “Paper Planes” launched M.I.A. into the charts’ stratosphere, Steve Loveridge’s all-access documentary offers welcome insights into the uncompromising pop-culture firebrand whose creativity and charisma are apparently rivalled only by her combativeness and appetite for controversy. Decades of personal footage shot by the Sri Lankan refugee-turned-subversive-icon reveal a deeply conflicted artist—torn between her Tamil resistance-fighter heritage, her desire for superstardom and her capacity for acts of self-sabotage (the most infamous being her one-finger salute at the Super Bowl halftime show that resulted in $1.5-million fine). In devoting equal screen time to triumphs and frustrations, Loveridge illustrates that album sales in the millions don’t necessarily translate into people wanting to hear what you actually have to say.
“[M.I.A. Is] the controlling spirit of this enjoyable documentary: always the centre of attention, performing and setting the mood with absolute magnetism. It’s clear she’s the director of her own life… It seems M.I.A. will be fighting forever, a one-woman awkward squad whose background, both economically and racially, means she’s not allowed to get too popular. It’s right that for once, in this film, she truly gets to control her own narrative.”—Charlie Phillips, Guardian
Special Jury Award, Documentary, Sundance 18