Canadian Premiere
Shortly after the death of her estranged mother, Shoo (Clare Monnelly) a primary care nursing student takes a placement in a remote Irish village to care for Peig (Brid Ni Neachtain) a reclusive, elderly woman who lives in fear, haunted by her experiences in a Catholic asylum. The house in the woods holds plenty of dark secrets and Peig’s paranoia begins to rub off on Shoo, whose own troubled, abusive past begins to catch up with her.
Aislinn Clarke follows up her spooky, found-footage creep show The Devil’s Doorway with another chilling religious horror that values atmosphere over cheap scares. Though the locked cellar with the red door covered in religious trinkets isn’t short on terror, Clarke’s careful direction and smart (predominately Irish-language) script ratchet up the tension slowly, building to a lyrical and frightening climax that combines traditional folklore with the religious trauma of the Magdalene laundries and culminates in a uniquely Irish feminist folk horror.
Thursday, October 3
9:00 pm
Advance tickets HERE
Saturday, October 5
4:00 pm
Advance tickets HERE
For detailed Vancouver International Film Fest information, including current showtimes and advance ticketing, please re-direct to www.viff.org.
All ticketing for VIFF events are managed by VIFF. If you have any questions about ticketing and availability, please connect with them directly. Please do not contact the Rio Theatre for ticketing info.
Unless otherwise noted, all VIFF screenings and events at the Rio Theatre are 19+ only. Please have valid ID with you upon entry.
VIFF screenings at the Rio Theatre tend to be busy! All seating is General Admission. We encourage all patrons to purchase tickets in advance to ensure entry, and to please come early (20-30 mins at least) to get great seats and have time for treats at our concession.
Please note: Rio Theatre Groupons and passes are n/a for any VIFF screening.
VIFF thanks the xʷməθkʷəy̓əm (Musqueam), Sḵwx̱wú7mesh (Squamish), and səlilwətaɬ/Selilwitulh (Tsleil-Waututh) Nations for their continued stewardship of the unceded and occupied land on which our work takes place. As an organization founded and predominantly directed by settlers and immigrants, we understand our responsibility to seek out and build authentic relationships with Indigenous communities, and to allow this ongoing dialogue to influence our practices. As part of this process, we remain committed to collaborating with and supporting Indigenous artists, filmmakers, curators, and audiences.