World Premiere

It’s 2003, and 12-year-old Rell “Goat” Barrel (Shayelin Martin) and her mom Jane (Caitlyn Sponheimer) are scheming and scrounging their way through another Penticton summer. Having illegally sublet the house they’re renting; they’re now holed up in a RV park bordering Skaha Lake. From this modest base of operations, Goat befriends an awkward outsider (Leandro Guedes), skateboards, shoplifts, and talks a big game about becoming a world-class surfer… Despite having never actually climbed atop a board or laid eyes on the ocean.

Helming her debut feature, Sponheimer conspires with cinematographer Joseph Schweers and composer Cayne McKenzie to transform the Okanagan Valley into a majestic, almost mythical backdrop for this tale of a young girl trying to slip the shackles of circumstance. Skilfully subverting expectations at practically every turn, a story of grand ambitions draws its persuasive power from chance encounters, casual exchanges, and instances in which summer lethargy cedes to adolescent rebellion.

Friday, September 29
6:00 pm
Advance tickets HERE

For detailed Vancouver International Film Fest information, including current showtimes and advance ticketing, please re-direct to www.viff.org.

All ticketing for VIFF events are managed by VIFF. If you have any questions about ticketing and availability, please connect with them directly. Please do not contact the Rio Theatre for ticketing info.

Unless otherwise noted, all VIFF screenings at the Rio Theatre are 19+ only. Please have valid ID with you upon entry.

VIFF screenings at the Rio Theatre tend to be busy! We encourage all patrons to purchase tickets in advance to ensure entry, and to come early (20-30 mins at least) to get great seats, and have time for treats at our concession.

VIFF thanks the xʷməθkʷəy̓əm (Musqueam), Sḵwx̱wú7mesh (Squamish), and səlilwətaɬ/Selilwitulh (Tsleil-Waututh) Nations for their continued stewardship of the unceded and occupied land on which our work takes place. As an organization founded and predominantly directed by settlers and immigrants, we understand our responsibility to seek out and build authentic relationships with Indigenous communities, and to allow this ongoing dialogue to influence our practices. As part of this process, we remain committed to collaborating with and supporting Indigenous artists, filmmakers, curators, and audiences.