It’s the tail-end of 1971, and Blackvale School for Girls is closed for the holidays — except that two boarders, Samantha and Clara (Madison Baines and Georgia Acken) are stuck here, which means that Miss Tanner (Chloë Levine) and her boyfriend, handyman Jimmy (Gus Kenworthy) have to stick around too. But there’s worse to come: fresh from a murderous crime spree, four Manson Family-type killers (one of them a Blackvale alumna) show up bearing bloody body parts, intent on raising hell and performing an ancient occult rite…
Jenn Wexler’s second feature has a couple of major, mind-bending twists up its sleeve which we can’t even begin to hint at… Let’s just say that horror tropes are significantly upended and there’s a subversive strain that runs rampant in the movie’s second half. Worth noting, too, a splendidly over-the-top performance by Mena Massoud (Aladdin) as the cult’s charismatic leader.
Monday, October 2
3:30 pm
Advance tickets HERE
Friday, October 6
9:15 pm
Advance tickets HERE
For detailed Vancouver International Film Fest information, including current showtimes and advance ticketing, please re-direct to www.viff.org.
All ticketing for VIFF events are managed by VIFF. If you have any questions about ticketing and availability, please connect with them directly. Please do not contact the Rio Theatre for ticketing info.
Unless otherwise noted, all VIFF screenings at the Rio Theatre are 19+ only. Please have valid ID with you upon entry.
VIFF screenings at the Rio Theatre tend to be busy! We encourage all patrons to purchase tickets in advance to ensure entry, and to come early (20-30 mins at least) to get great seats, and have time for treats at our concession.
VIFF thanks the xʷməθkʷəy̓əm (Musqueam), Sḵwx̱wú7mesh (Squamish), and səlilwətaɬ/Selilwitulh (Tsleil-Waututh) Nations for their continued stewardship of the unceded and occupied land on which our work takes place. As an organization founded and predominantly directed by settlers and immigrants, we understand our responsibility to seek out and build authentic relationships with Indigenous communities, and to allow this ongoing dialogue to influence our practices. As part of this process, we remain committed to collaborating with and supporting Indigenous artists, filmmakers, curators, and audiences.