Seven total strangers team up for the perfect crime. They don’t know each other’s name… But they’ve got each other’s colour. In 1992, Quentin Tarantino‘s mind-blowlingly stylish, explosive heist-gone-awry masterpiece RESERVOIR DOGS was unleashed; in addition to cleaning up at
The Rio Grind Film Festival is pleased to present a very last minute – but so very welcome – late night addition to the Rio Theatre’s calendar on Friday, October 9. Following its World Premiere at SXSW 2015, New Zealander Jason Lei Howden’s DEATHGASM has become one of the “ones
Directed by Avi Lewis (AFI Festival award-winner ‘The Take’) and inspired by the New York Times-bestselling book by Naomi Klein (‘Shock Doctrine’), the feature documentary ‘This Changes Everything’ will be opening at the Rio Theatre on Saturday, October 10. The film brings Naomi Klein’s radical, inspiring thesis to life through
“Be careful what you wish for…” Join us in raising a #WomensHistoryMonth glass to the late, great, and incredibly talented actress and filmmaker Penny Marshall, who passed away in 2018. In 1988, Marshall made history as the first female director of a film to surpass the $100 million mark with
Stellllaaaaaaaaa! Tennessee Williams’ Pulitzer Prize-winning play A STREETCAR NAMED DESIRE is one of the most celebrated American works of the 20th century, as is director Elia Kazan’s film adaptation of it. Starring Marlon Brando, Vivien Leigh, Karl Malden and Kim Hunter, the film marked the first of four consecutive Oscar
Drawing on over 200 hours of recently discovered recordings, director Stevan Riley constructs a revelatory self-portrait of the legendary Marlon Brando. With exclusive access to his extraordinary unseen and unheard personal archive, including hundreds of hours of audio recorded over the course of his life, LISTEN TO ME MARLON is
“The scariest comedy of all time!” Mel Brooks‘ comic masterpiece YOUNG FRANKENSTEIN (it’s pronounced “Fronken-steen“) is gonna be puttin’ on the ritz all over the Rio’s big screen on Tuesday, October 20. Respected medical lecturer Dr. Frederick Frankenstein (Gene Wilder) learns that he has inherited his infamous grandfather’s estate in
Let’s all toast independent film for a night, shall we? Join us for a double bill evening featuring HERE’S TO THE FUTURE! + HIT 2 PASS (Official Selection DOXA, 2015). Both of these films incorporate multiple recording formats and make use of emerging technology to structure narratives that are stylish,
Let’s all toast independent film for a night, shall we? Join us for a double bill evening featuring HERE’S TO THE FUTURE! + HIT 2 PASS (Official Selection DOXA, 2015). Both of these films incorporate multiple recording formats and make use of emerging technology to structure narratives that are stylish,
“They were meant to be. But exactly what they were meant to be is not quite clear.” Hal Ashby’s HAROLD AND MAUDE has got to be one of the most unconventional love stories ever, which is one of the main reasons that is has remained a crowd-pleaser (and one of