Japanese animator Takahide Hori spent four years working on his 30 minute short film JUNK HEAD – and another four expanding it into its current feature-length iteration, an astounding stop-motion, post-apocalyptic sci-fi marvel that is an remarkable testament to its genuinely visionary creator. Following its World Premiere
Director Lukas Feigelfeld‘s jaw-dropping feature debut HAGAZUSSA: A HEATHEN’S CURSE is an unlikely surprise; a gorgeously photographed, mostly silent grad school project that has quietly managed to make the rounds acrosss the world’s genre film fest circuit, with screenings at Fantastic Fest (Best Picture, “Next Wave” Feature), Sitges, London’s BFI,
Best known as a character actor, John Carroll Lynch (FARGO, SHUTTER ISLAND, GRAN TORINO) makes a very comfortable move into the director’s chair with his debut feature LUCKY, a film that will forever be remembered as a fittingly poignant swan song for its tour de force performance from another beloved
I bet you have never seen a donkey fly! Sometime since the release of this lovable animated satire in 2001 and now, SHREK has morphed into something of a cult-classic, a generational touchstone that make is perfect for a double bill screening with
Come see folks who wrote jokes for Netflix’s latest season of Mystery Science Theater 3000 provide live, hilarious commentary for one of this decade’s most memorable (iff not ill-advised)sci-fi fantasy re-boots, FANTASTIC FOUR – an adventure centering on four remarkably attractive young outsiders who teleport to an
In his third feature film, director Joseph Kahn (perhaps best known for his work crafting music videos for up-and-comers like U2, Taylor Swift, Katy Perry, Eminem and Britney Spears) dives headfirst into an explosive “safe space” where the art of battle rap and PC-culture literally collide, triggering a hip-hop infused
Mexican writer-director Issa López is an emerging talent on the international genre film circuit, drawing both critical (Best Horror Director, Fantastic Fest and Best Picture, Director, Actor, Actress, Screamfest) and audience (Audience Award Best Feature, DEDfest) accolades thanks to her remarkable third feature, TIGERS ARE NOT AFRAID – a dark, fantasy-fueled
Oh hai, Doggy. In November of 2013, while filming THE INTERVIEW in Vancouver, James Franco saw THE ROOM for the very first time at the Rio Theatre. That screening was hosted by actor Greg Sestero (aka as “Mark” in Tommy Wiseau‘s pop-culture phenomenon), who was discussing his recently
Finally… A killer body-horror comedy that passes the Bechdel test – HEATHERS meets MEAN GIRLS in an Instagram universe. It’s Vancouver-based (we’re claiming him, mmmkay?) writer-director Tyler MacIntrye‘s TRAGEDY GIRLS, it’s bloody good fun, it’s one of the breakout horror his of 2017, and it’s hitting the
The Belgian directing team of Hélène Cattet and Bruno Forzani‘s (THE STRANGE COLOR OF YOUR BODY’S TEARS) latest, LET THE CORPSES TAN, bring French crime novelist Jean-Patrick Manchette‘s 1971 thriller ‘Laissez bronzer les Cadavres’ to life in a visually stunning, hyper-stylized neo-Western that finds itself basking in the dreamy yet