MARIANNE AND LEONARD: WORDS OF LOVE is renowned filmmaker Nick Broomfield‘s (WHITNEY: CAN I BE ME, KURT & COURTNEY) most personal and romantic film of his storied career. The documentary starts on the Greek island of Hydra in 1960, where Leonard Cohen, then a struggling and unknown fiction writer, and
From the visionary mind of Ari Aster (HEREDITARY, BEAU IS AFRAID) comes a dread-soaked cinematic fairytale, where a world of darkness unfolds in broad daylight… MIDSOMMAR remains one of our favourite arthouse horror films of the past few years, and what better way to pay homage to the start of
“The horror … The horror…” Gorgeously restored and remastered for its 40th Anniversary in 2019, Francis Ford Coppola’s visionary Vietnam War epic a APOCALYPSE NOW: FINAL CUT returns to the Rio Theatre‘s screen this September. It is the height of the war in Vietnam, and U.S. Army Captain
Paris, 1930. The infamous surrealist filmmaker Luis Buñuel is left penniless after the scandalous release of ‘L’Age d’Or’ leads to a falling out with collaborator Salvador Dalí. On a whim, Buñuel’s good friend, sculptor Ramón Acín, buys a lottery ticket and promises to devote his winnings to fund Buñuel’s next
As a result of the critical and commercial acclaim of THE LAST BLACK MAN IN SAN FRANCISCO, triple threat Joe Talbot – who directed, wrote and stars in the breakout indie hit – has emerged as a talent to watch in 2019. Talbot stars as Jimmie Fails, who dreams of
Paul Simon’s Grammy Award®-winning album ‘Graceland’ – an irresistible and groundbreaking fusion of American and South African pop music — was an immediate hit when it was released in 1986. It also proved to be a lightning rod for controversy, after South African leaders protested that Simon had broken the
Join us at the Rio Theatre on Tuesday, August 20 for the Canadian Premiere of the locally-produced, highly-anticipated feature documentary I AM PATRICK SWAYZE. Director Adrian Buitenhuis (I AM HEATH LEDGER, I AM SAM KINISON) explores the 1980’s most recognizable leading man, who challenged Hollywood’s very notions of masculinity and
Housing prices are skyrocketing in cities around the world. Incomes are not. PUSH sheds light on a new kind of faceless landlord, our increasingly unliveable cities and an escalating crisis that has an effect on us all. This is not gentrification, it’s a different kind of monster. The film follows
“There’s a bomb on the bus. Once the bus goes 50 miles per hour, the bomb is armed. If it drops below 50, the bus blows up. Whaddya do, Jack?” SPEED is one of the more definitive action films of the 90’s – and perfect for including in
Opening with a silent “movie” of Butch Cassidy’s Hole in the Wall Gang, George Roy Hill‘s comically elegiac Western chronicles the mostly true tale of the outlaws’ last months. Witty pals Butch (Paul Newman) and Sundance (Robert Redford) join the Gang in successfully robbing yet another train with their trademark