As the holidays approach, Clark Griswold wants to have a perfect family Christmas, so he pesters his wife, Ellen, and children, as he tries to make sure everything is in line, including the tree and house decorations. However, things go awry quickly. His hick cousin, Eddie, and his family show
1936. As villages across mandatory Palestine rise against British colonial rule, Yusuf drifts between his rural home and the restless energy of Jerusalem, longing for a future beyond the growing unrest. But history is relentless. With rising numbers of Jewish immigrants escaping antisemitism in Europe, and the Palestinian population uniting
Scottish director Lynne Ramsay‘s (WE NEED TO TALK ABOUT KEVIN, YOU WERE NEVER REALLY HERE) intense psychological drama DIE MY LOVE offers a blistering depiction of a woman engulfed by love and madness.
Director Osgood Perkins‘ (LONGLEGS, THE MONKEY) latest moody-soaked thriller, KEEPER, follows a couple’s romantic anniversary trip to a secluded cabin turn sinister when a dark presence reveals itself, forcing them to confront the property’s haunting past. With Tatiana Maslany (ORPHAN BLACK), Rossif Sutherland, Claire Friesen. “If
This is the story of Jean-Luc Godard making BREATHLESS, told in the style and spirit in which Jean-Luc Godard made BREATHLESS. Oscar-winning filmmaker Richard Linklater (BOYHOOD, DAZED AND CONFUSED) has crafted a playful, poignant love letter to cinema with NOUVELLE VAGUE, which ably reimagines the making
George A. Romero’s DAY OF THE DEAD, the apocalyptic final chapter of the ultimate zombie trilogy, returns for its 40th Anniversary! Whole generations of horror lovers had never seen any of Romero’s zombie classics at a theatre or drive-in, but in November 2021 Red Band Releasing started helping book the
The promising and confident directorial debut of acclaimed actor Harris Dickinson (BABYGIRL, TRIANGLE OF SADNESS). The film had its world premiere at this years Cannes Film Festival where Dickinson won the prestigious FIPRESCI Prize, and Frank Dillane won Best Actor in the Un Certain Regard section. Mike, a
Dwayne Johnson goes the distance with his transformative turn as Mark Kerr in Benny Safdie‘s (UNCUT GEMS) THE SMASHING MACHINE, a gritty biopic that sidesteps cliché even at the expense of narrative satisfaction while still landing the dramatic body blows that count. With Emily Blunt. “He gives a transformative performance.” (Variety)
Celebrated filmmaker Kelly Reichardt (FIRST COW, SHOWING UP) directs an unforgettable Josh O’Connor (CHALLENGERS, Netflix’s THE CROWN) in THE MASTERMIND, her latest Cannes triumph. In a sedate Massachusetts suburb circa 1970, unemployed family man and amateur art thief J.B Mooney sets out on his first heist. With the museum cased and
Darren Aronofsky‘s hyperstylish REQUIEM FOR A DREAM is a lucid and devastating fever dream of a film, with a deliberately frenzied and kinetic pace that draws its audience down the very spirals experienced by the protagonists’ own horrific descent into addictive behaviours. Imaginatively evoking the inner landscape of human beings longing