With DEAD MAN, his first period piece, American auteur Jim Jarmusch (STRANGER THAN PARADISE, DOWN BY LAW, ONLY LOVERS LEFT ALIVE) imagined the nineteenth-century American West as an existential wasteland, delivering a surreal reckoning with the ravages of industrialization, the country’s legacy of violence and prejudice, and the natural cycle of life
Alright, alright, alright! Why go cruising the strip or climbing the moon tower when you could spend it at your favourite indie movie theatre instead? Join us at the Rio Theatre for 30th Anniversary screenings of a slice of cult-classic nostalgia that celebrates the best day of
“All I’m saying is that if I ever start referring to these as the best years of my life – remind me to kill myself” Alright, alright, alright! Why go cruising the strip or climbing the water tower on a Friday night when you could spend it at
Alright, alright, alright! Why go cruising the strip or climbing the moontower when you could spend it at your favourite indie movie theatre instead? Join us at the Rio Theatre for a slice of cult-classic nostalgia that celebrates the best day of high school you never had:
George A. Romero’s DAY OF THE DEAD, the apocalyptic final chapter of the ultimate zombie trilogy, returns for its 40th Anniversary! Whole generations of horror lovers had never seen any of Romero’s zombie classics at a theatre or drive-in, but in November 2021 Red Band Releasing started helping book the
“Hey, pretty girl, time to wake up.” The Rio Theatre is pleased to present a very special, 20th Anniversary screening of David Lynch‘s sexy, dreamlike and twisty neo-noir MULHOLLAND DRIVE – with singer Rebekah Del Rio performing live and participating in a Q&A on Wednesday,
“I am not an animal! I am a human being! I.. am… a… man!” With this poignant second feature, David Lynch brought his atmospheric visual and sonic palette to a notorious true story set in Victorian England. When the London surgeon Frederick Treves (Anthony Hopkins) meets the
Based on the polarizing 1973 novel CRASH by English author J.G. Ballard, David Cronenberg‘s equally polarizing adaptation caused an uproar when it was released in 1996. Praised by (some) critics and widely admonished by others, the film has gained something of a cult audience in the nearly 25 years years
Gary Oldman took home a well-deserved Oscar for his career-high performance in the role of a lifetime, as Winston Churchill, in director Joe Wright‘s (ATONEMENT, PRIDE & PREJUDICE) DARKEST HOUR (which was nominated for a total of six Academy Awards, including Best picture). This thrilling and inspiring true story begins
Italian horror icon Dario Argento (SUSPIRIA, DEEP RED, INFERNO) returns to the big screen with DARK GLASSES, his first directorial effort in over a decade. Rome. A serial killer has killed three prostitutes, strangling them with cello ropes. The last rope of the “Cellist” is destined for Diana, a luxury