In writer-director Edgar Wright‘s (SHAUN OF THE DEAD, SCOTT PILGRIM VS. THE WORLD) pulsating thrill-ride BABY DRIVER, Ansel Elgort stars as a very young, very talented and somewhat hearing impaired getaway driver named Baby who relies on the beat of his personal soundtrack to be the best in the game.
Yeah, baby! This third installment of Mike Myers‘ iconic Austin Powers (Myers) franchise finds the world’s most shag-adelic spy continuing his fight against his arch nemesis, the aptly named Dr. Evil (also Myers). This time, the diabolical doctor and his tiny clone, Mini-Me, team up with a new foe —
A paraplegic computer engineer that moves in a wheelchair and works in his basement starts hearing noises and voices of bank-robbers.
For the past year, Sandra, her husband Samuel, and their eleven-year-old son Daniel have lived a secluded life in a remote town in the French Alps. When Samuel is found dead in the snow below their chalet, the police question whether he was murdered or committed suicide. Samuel’s suspicious death
“Do you like Huey Lewis and The News?” The Rio Theatre‘s Friday Late Night Movie series continues on November 29 with AMERICAN PSYCHO, a biting black comedy that examines the elements that make a man a misogynist monster – perhaps buckling under the pressure of
AMERICAN ANIMALS is the unbelievable but entirely true story of four young men who attempt to execute one of the most audacious art heists in U.S. history. The film centers around two friends from the middle-class suburbs of Lexington, Kentucky. Spencer (Barry Keoghan), is determined to become an artist but
Join us on Saturday, August 13 as we celebrate the birthday of the “Master of Suspense,” Alfred Hitchcock, with a prime time double feature of two of Hitchcock’s best: TO CATCH A THIEF & VERTIGO. See one, or see ’em both! Notorious cat burglar John Robie (Cary Grant) has long since
“It starts with the shriek of a train whistle… And ends with shrieking excitement!” The Rio Theatre is continuing its dive into the incredible canon of one of the true icons of cinema: Alfred Hitchcock. The supremely suspenseful 1951 thriller STRANGERS ON A TRAIN (co-adapted by Raymond Chandler
“The only way to get rid of my fears is to make films about them.” Join us on Friday, August 13 as we celebrate the birthday of the “Master of Suspense,” Alfred Hitchcock, with a prime time double feature of two of our favourites from his
In this sensual experimental elegy by visionary filmmaker Harmony Korine (KIDS, GUMMO, SPRING BREAKERS), spellbinding infrared photography evokes a dreamlike portrait of a tormented assassin. In the seedy domain of Miami’s criminal underbelly, a seasoned hitman embarks on the relentless pursuit of his next