In an alternate present-day version of Oakland, black telemarketer Cassius Green (Lakeith Stanfield) discovers a magical key to professional success, which propels him into a macabre universe of “powercalling” that leads to material glory. But the upswing in Cassius’ career raises serious red flags with his girlfriend Detroit (Tessa Thompson),
“I wanna be loved by you, Just you, nobody else but you. I wanna be loved by you alo-o-one…. Boop boop e doo.” In anticipation of Netflix’s upcoming feature BLONDE (adapted from Joyce Carol Oates‘ biographical novel of the same name), we thought
“Yes, London. You know: Fish, chips, cup ‘O Tea, bad food, worse weather, Mary F***Ing Poppins… London!“ The Rio Theatre’s Friday Late Night Movie series continues on March 15 with British filmmaker Guy Ritchie‘s super stylish, wildly kinetic 2001 crime caper SNATCH. Illegal boxing promoter Turkish convinces gangster Brick Top
A wildly inventive new comedy from Quentin Dupieux (MANDIBLES, RUBBER), SMOKING CAUSES COUGHING follows the misadventures of a team of five superheroes known as the Tobacco Force — Benzene (Gilles Lellouche), Nicotine (Anaïs Demoustier), Methanol (Vincent Lacoste), Mercury (Jean-Pascal Zadi), and Ammonia (Oulaya Amamra). After a devastating battle against a
A race car driver tries to transport an illegal beer shipment from Texas to Atlanta in under 28 hours, picking up a reluctant bride-to-be on the way. Tuesday, September 25 Doors 6:15 pm | Movie 6:45 pm Tickets $10 advance HERE | $12 at the door *Rio Theatre
The Rio Theatre’s Friday Late Night Movie series continues on April 19 with Gregg Araki‘s 2007 comedy SMILEY FACE, featuring Anna Faris in a criminally underappreciated turn as as struggling but perpetually stoned actress who is having…. “a day.” Jane (Faris) She has several important tasks on her list, including
Join us at the Rio Theatre on October 28 for a screening of James Gunn’s Vancouver-lensed 2006 horror comedy SLITHER – hosted by MastersFX founder, the legendary Todd Masters! Wheelsy is a small town where not much happens and everyone minds his own business. No one notices when evil slips
Two former geeks become 1980s punks, then party and go to concerts while deciding what to do with their lives. “[Matthew Lillard’s] performance dominates the film, and he does a subtle, tricky job of being both an obnoxious punk and a kid in search of his direction in life. He’s
Get ready to toast Austin, Texas filmmaker Richard Linklater on July 6 with back-to-back viewings of two 90’s-era classics from his canon that best exemplify the “wandering eye,” pre-mumblecore aesthetic for which he is best known. We’re firing up the projector for a double feature that includes both the 1991
It’s time to raid Barry Manilow’s wardrobe. John Hughes’ iconic masterpiece THE BREAKFAST CLUB is celebrating 30 years in movie-lover detention, and to mark the occasion we’re screening both it and SIXTEEN CANDLES on Friday, April 3. In addition to this newly restored 4K print of THE BREAKFAST CLUB, we’ll