“All I’m saying is that if I ever start referring to these as the best years of my life – remind me to kill myself” Alright, alright, alright! Why go cruising the strip or climbing the water tower on a Friday night when you could spend it at
Graceful, enigmatic, and often frightening, DOGTOOTH is an ingenious dark comedy that won the Un Certain Regard Prize at the 2009 Cannes Film Festival and an Academy Award nomination for Best Foreign Language Film, propelling Oscar-winner Yorgos Lanthimos (POOR THINGS, THE FAVOURITE, THE LOBSTER) to the forefront of contemporary cinema’s most ambitious
“Can you dig it?” We’re getting into the summer groove with a prime time double bill featuring not one, but two phenomenally stylish cult-classics from iconic filmmaker Walter Hill: THE WARRIORS and STREETS OF FIRE. See one, or see ’em both for one sweet price! Come out and
The heat is on… Following a triumphant stint on Saturday Night Live, Eddie Murphy cemented his status as one of the biggest movie stars of the 1980s with a few choice roles, including that of a street-smart Detroit cop in the action comedy classic Beverly Hills Cop – the highest-grossing
Now is the time. This is the hour. Ours is the magic. Ours is the power. Unleash your inner-90’s witchy-self and get into the Halloween spirit with a prime time screening of THE CRAFT.
“Russell Crowe and Ryan Gosling are clearly enjoying the hell out of each other in this crime caper set in 1977 Los Angeles. So how can you resist?” (Rolling Stone) From director Shane Black comes THE NICE GUYS, a 70s-era buddy comedy that harkens back to a bygone era (think
Visionary Oscar-winning Greek director Yorgos Lanthimos (THE FAVOURITE, DOGTOOTH) has mastered the art of applying a surreal, absurdist lens to his narrative features, creating stories and characters that exist within their own unique worlds. Given all the “strange” social conventions of late, we felt the time was right to revisit
“Later, as he sat on his balcony eating the dog, Dr. Robert Laing reflected on the unusual events that had taken place within this huge apartment building during the previous three months.” … And so goes the opening sentence of J.G. Ballard’s acclaimed 1975 dystopian novel HIGH-RISE, faithfully adapted by
On the heels of his success with the groundbreaking drama BOYHOOD, director Richard Linklater shifts gears to sports for this comedy about a successful college baseball team that plays hard both on and off the diamond. Likened as a sort of “1980s-era spiritual companion” to Linklater’s cult-classic DAZED AND CONFUSED,
“Oh, hai Mark!” Vancouver’s masters of movie-riffing, The Gentlemen Hecklers, are taking on their biggest challenge yet: Tommy Wiseau‘s epic, pop-culture masterpiece, THE ROOM. This legendary stinker is easily the Rio Theatre audiences’ all-time, hands-down forever favourite “so bad, it’s good” movie, our collective guiltiest cinematic pleasure, the