The time: 1814. The place: Edo, now known as Tokyo. A much accomplished artist of his time and now in his mid-fifties, Tetsuzo can boast clients from all over Japan, and tirelessly works in the garbage-loaded chaos of his house-atelier. He spends his days creating astounding pieces of art, from a giant-size Bodhidharma portrayed on a 180 square meter-wide sheet of paper, to a pair of sparrows painted on a tiny rice grain. Third of Tetsuzo’s four daughters and born out of his second marriage, outspoken 23-year-old O-Ei has inherited her father’s talent and stubbornness, and very often she would paint instead of him, though uncredited. Her art is so powerful that sometimes leads to trouble. “We’re father and daughter; with two brushes and four chopsticks, I guess we can always manage, in a way or another.” *Please note this film screens in Japanese with English subtitles.
“As all of Edo flocks to see the work of the famous painter Hokusai, his daughter O-Ei toils diligently inside his studio, unknown to the public. Her masterful portraits, dragons and erotic sketches – sold under the name of her father – are coveted by upper crust Lords and journeyman print makers alike. In public, O-Ei knows and respects “her place,” but at home in the studio, she’s as brash and uninhibited as her father, smoking a pipe while sketching erotic drawings that would make contemporary Japanese ladies blush. But despite her talent and fiercely independent spirit, O-Ei struggles under the domineering influence of her father and is ridiculed for lacking the life experience that she is attempting to portray in her art. MISS HOKUSAI‘s lively Edo (present day Tokyo) is filled with yokai spirits, dragons, and conniving tradesmen, while O-Ei’s relationships with her famously impetuous father and blind younger sister provide a powerful emotional underpinning to this rollicking and sumptuously-animated feminist coming-of-age tale.”
MISS HOKUSAI “Sarusuberi” (Keiichi Hara, 2015 /93 mins / PG ) The life and works of Japanese artist and ukiyo-e painter Katsushika Hokusai, as seen from the eyes of his daughter, Katsushika O-Ei.